True #9
True issue #9 (Cover sent at random)
The first cover feature for True issue nine is âMemories, nightmares, and dreams in Palestine (2003/2004)â by Alessandra Sanguinetti. This previously unpublished body of work was made 20 years ago, just as the most intense days of the second intifada were over and during the early stages of the West Bank Barrier construction.
Our second cover is by Lydia Roberts and comes from âNo. 13â by Brett Walker with Jack Davison, Chieska Fortune Smith, Maria Meco, James Frederick Barrett and Lydia. This exclusive feature presents a curation of Brettâs own work alongside the photography and memories of his students, old and new.
âFor Themâ is Rula Halawaniâs final instalment of a decade-long project that focuses its attention on the Palestinian landscape to focus ours on the story of its people. Rula talks to writer and curator Charlotte Cotton about the importance of memorialising people and place at times of displacement and devastation.Â
In âA way inâ, Rahim Fortune and Earlie Hudnall, Jr. discuss how empathy and connection are grounding prerequisites for their work: deft abilities that turn the camera from inanimate keeper of records to unwavering confidante and maker of memories.
Elsewhere âShrieking, Wailing, Sobbingâ pairs Gabby Laurentâs previously unpublished photographs with the original writing that inspired them by Anne Carson.
For her highly anticipated exhibition at New Yorkâs MoMA, LaToya Ruby Frazier has reimagined, rescaled and reaffirmed a survey of her works from the last quarter of a century. In âA monument to solidarityâ the showâs lead curator and Acting Chief Curator of Photography at The Museum of Modern Art, Roxana Marcoci, provides insight into the exhibitionâs conception and underpinning narratives. Roxanaâs essay is accompanied by images from LaToyaâs iconic series, On the Making of Steel Genesis: Sandra Gould Ford (2017).
In âShaperâ Elle PĂ©rez spoke with writer and podcaster Gem Fletcher to continue their ongoing dialogue on finding creative permanence through the percolation of fluid processes. This feature presents a new curation of Elleâs images from three recent bodies of work: Devotions (2022), guabancex (2023) and Shaper (2024).
In True issue 8, Paul spoke with photographer Carla Williams about her recently released monograph. Here, they reverse roles and reflect on the conceptual and aesthetic depth of Paulâs new work. âInfinite Like Nightâ present images from Paulâs latest project recently launched at Chicagoâs Document gallery.Â
Contributors (in order of appearance):
Rula Halawani
Rahim Fortune with Earlie Hudnall, Jr.
Gabby Laurent
Brett Walker with Jack Davison, Lydia Roberts, Chieska Fortune Smith, Maria Meco and James Frederick Barrett
LaToya Ruby Frazier
Elle Pérez
Alessandra Sanguinetti
Paul Mpagi Sepuya
True is a photography journal that commissions established and emerging photographers to experiment, create or revisit.
We curate and celebrate work thatâs authentic and insightful.

Description
True issue #9 (Cover sent at random)
The first cover feature for True issue nine is âMemories, nightmares, and dreams in Palestine (2003/2004)â by Alessandra Sanguinetti. This previously unpublished body of work was made 20 years ago, just as the most intense days of the second intifada were over and during the early stages of the West Bank Barrier construction.
Our second cover is by Lydia Roberts and comes from âNo. 13â by Brett Walker with Jack Davison, Chieska Fortune Smith, Maria Meco, James Frederick Barrett and Lydia. This exclusive feature presents a curation of Brettâs own work alongside the photography and memories of his students, old and new.
âFor Themâ is Rula Halawaniâs final instalment of a decade-long project that focuses its attention on the Palestinian landscape to focus ours on the story of its people. Rula talks to writer and curator Charlotte Cotton about the importance of memorialising people and place at times of displacement and devastation.Â
In âA way inâ, Rahim Fortune and Earlie Hudnall, Jr. discuss how empathy and connection are grounding prerequisites for their work: deft abilities that turn the camera from inanimate keeper of records to unwavering confidante and maker of memories.
Elsewhere âShrieking, Wailing, Sobbingâ pairs Gabby Laurentâs previously unpublished photographs with the original writing that inspired them by Anne Carson.
For her highly anticipated exhibition at New Yorkâs MoMA, LaToya Ruby Frazier has reimagined, rescaled and reaffirmed a survey of her works from the last quarter of a century. In âA monument to solidarityâ the showâs lead curator and Acting Chief Curator of Photography at The Museum of Modern Art, Roxana Marcoci, provides insight into the exhibitionâs conception and underpinning narratives. Roxanaâs essay is accompanied by images from LaToyaâs iconic series, On the Making of Steel Genesis: Sandra Gould Ford (2017).
In âShaperâ Elle PĂ©rez spoke with writer and podcaster Gem Fletcher to continue their ongoing dialogue on finding creative permanence through the percolation of fluid processes. This feature presents a new curation of Elleâs images from three recent bodies of work: Devotions (2022), guabancex (2023) and Shaper (2024).
In True issue 8, Paul spoke with photographer Carla Williams about her recently released monograph. Here, they reverse roles and reflect on the conceptual and aesthetic depth of Paulâs new work. âInfinite Like Nightâ present images from Paulâs latest project recently launched at Chicagoâs Document gallery.Â
Contributors (in order of appearance):
Rula Halawani
Rahim Fortune with Earlie Hudnall, Jr.
Gabby Laurent
Brett Walker with Jack Davison, Lydia Roberts, Chieska Fortune Smith, Maria Meco and James Frederick Barrett
LaToya Ruby Frazier
Elle Pérez
Alessandra Sanguinetti
Paul Mpagi Sepuya
True is a photography journal that commissions established and emerging photographers to experiment, create or revisit.
We curate and celebrate work thatâs authentic and insightful.























